Showing posts with label Delta Quilt Series. Show all posts
Showing posts with label Delta Quilt Series. Show all posts

Thursday, October 12, 2017

Come Join The Barn Quilt Trail



Have you heard about the nationwide popularity of Barn Quilt Trails? It was in 2003 that I spotted my first Barn Quilt while traveling through Tennessee on my way back to Virginia. . .A quilt block painted on the side of a barn. . .I thought what a unique idea some crafty lady came up with. . .Then I saw the second. . .and the third. . .and I was hooked. . .I wanted to see more. . .I wanted my own. . .but at the time all I had was a townhouse in Williamsburg. . .No barn, outbuilding, garage, or shed to place one on. . .So I tucked away the Barn Quilt photos in my desk. . .but they were never forgotten. . .In fact, it seemed Barn Quilts were springing up all over the country.


The credit for Barn Quilt Trails appears to be a result of  Donna Sue Groves's desire to honor her mother's quilting expertise by painting an Ohio Star quilt block on their tobacco barn in Adams County, Ohio. There was so much interest that Donna realized what seemed to be a simple project had wide appeal and could benefit her community aesthetically and economically. In 2001, she worked with local people to create a 'clothesline of quilts' as many others joined in with their painted blocks. The first quilt trail was born. Now there are 43 states with quilt trails. It's become a movement that I think surprised many people, but then, who doesn't love the soft comfort of a handmade quilt and the memories they bring?
As in other parts of the United States, quilting has almost become a folk art of the past, but I did witness our Delta ladies piecing and quilting very early in my childhood. . .It began my lifelong love of quilts. In fact, I pieced my own first quilt when I was 3 years old.


Mr. and Mrs. Turner were a lovely couple who lived in a small, two bedroom shotgun house on my Grandmothers property. . .and only footsteps from our back door. . .I dearly loved them and visited almost everyday. . .She was an excellent quilter. . .Usually there was a quilt top in a frame above the kitchen table so she could work on it in odd times. . .Her husband also quilted. . .I had never seen that before. . .a man quilting. . .but I was young enough that I thought men were suppose help. . .and wondered why my own Dad didn't quilt, too. . .
Most days I found Mrs. Turner piecing the beautiful patterns found in newspapers or borrowed from other quilters. . .She was either cutting or hand-sewing the little pieces. . .One day I decided it was time that I tried my hand at piecing. . .I wanted to make my own quilt and I wanted fabric and scissors to do just that. . .She wouldn't allow me to use the scissors but she did pull out the Sears Roebuck catalog and showed me how to tear the pieces from that. . .Then she helped me paste them onto a sheet of paper. . .Unfortunately, I don't have that first quilt. . .and I wasn't as satisfied with it as much as I would had it been fabric. . .but at the same time, I knew I'd have quilts in my life from that day on. . .I have made my own quilts, but mostly I began collecting them. . .I've hung them on walls as art. . .I've displayed them on quilt racks. . .I've used them in an obvious place--the bed. . .I've given workshops on how to piece. . .I've given programs at various organizations. . .I've written a booklet about my Grandmother Duncan's quilts, of which I am now the proud owner. . .I have been published twice in quilt magazines with patterns of my own design. . .I participated in several national quilt shows. . .In other words, quilts have surrounded me. . .enveloped me. . .kept my interest. . .for most of my life. . .Barn Quilts were a natural next step. . .


By 2005, I no longer lived in a townhouse. . .I suddenly found myself to be the owner of two barns, three outbuildings (at that time--there are more now), a farm shop, an old country store building, and the manager's home. . .Although it took me three more years before I began painting Barn Quilts, I was gradually adding photos to my quilt stash as I traveled through many states. . .They seemed to be everywhere. . .and by 2008 I proudly displayed six Barn Quilts on our property. . . But time and weather took their toll within a couple of years. . .All but two were sent to the barn storage bins. The two remaining were displayed on our home, under the porch roof where they would be protected. In fact, one became our logo for the Widner-Magers Farm Historic District and Duncan Farmstead which has been photographed many times by people who happened upon it.


Our Cotton Boll Barn Quilt has been a hit with so many 
and continues to be pinned on Pinterest.



It was while adding POPS OF WHIMSEY at our two shotgun houses, I decided we should use the barn quilts again this year. . .We needed to bring color to the drab gray buildings. . .Once we finished the LITTLE CHAPEL IN THE FIELD, I pulled out two of our badly weathered Barn Quilts from 2008 and gathered the paint buckets. . .This time I made sure I used exterior paint to guard against the weather.


The term Barn Quilt implies that an entire quilt is painted on wood. . .but that's not the case most times. . .Normally, only one quilt block is selected. . . The size of the block is also left up to the creator.  I decided on 4' X 4' plywood squares for our outbuildings. . .A standard size for blocks displayed on a barn is 8' X 8'. . .The easiest quilt block patterns to paint are those comprised of simple geometric shapes, such as triangles, squares, and rectangles. Simple shapes and vibrant colors for these two updates assure that they are easily seen from far down the road.

AMISH CROSS


NINE PATCH

Once we displayed our quilts on the houses, I thought 'Wouldn't it be great if we had our own Barn Quilt Trail right here in Northeast Arkansas?' . .There are plenty opportunities. . .Barns, sheds, garages, outbuildings. . .Viewers would follow a map printed from the internet and read about each one as they drive through the countryside. . . It's happening throughout the United States with a wide variety of people creating the blocks. . .not only by individuals but quilt guilds, schools, churches, and 4-H clubs have participated across the country. . .Why not here? . .Quilts are a part of our heritage, too. . .


How do you join in? . .Simply by painting and displaying a Barn Quilt of your own. . .Then EMAIL us with a photo and where the Quilt is located if you would like to be placed on the Delta Quilt Trail map for all to see. 

We would also appreciate you sharing information with us that could be added. . .about your family. . .your memories. . .why you chose that particular block. . .anything you would like to add. . .This isn't required but would mean so much to everyone. . .
This PDF will get you started. . .
There are many other ways for painting and displaying these quilts, but the above link will give you the basics. . .You can see more techniques at my PINTEREST BOARD. . .You'll also find numerous barn quilts from across the country for inspiration there. . .And. . .if you have any other questions. . .EMAIL US. . .We'll be glad to answer your questions. . .



Soon I'll repaint the other four quilts and display them. . .adding to the Delta Barn Quilt Trail beginnings. . .Hope they inspire you to paint your own. . .It would be a way to give back to our community, just as Donna Sue Groves did for Ohio years ago. . .


Let's put our beautiful land and barns on the map. . .
our own DELTA QUILT TRAIL map. . .



Check out more Posts of the Delta Quilt Series at the bottom of the page.



Thursday, October 29, 2015

DELTA QUILT SERIES: Denim Britches Quilts

 
 
"I made all my quilts out of old shirts and dress tails and britches legs. . .whatever part of the pants wasn't wore out, like the pants legs, cause the knees mostly be wore out--we pick cotton on our knees." Loretta Petty, Architecture of the Quilt
 
 
As cooler weather arrives and thoughts of winter come to mind, I--like the Delta women before me--begin to think about keeping the family warm. . .Luckily, all I have to do is turn on the central heat and bring out a few blankets. . .Not so in the past. . .when making quilts for warmth was a necessity for winter survival.
At their very root, utility quilts are just that--objects made for warmth. . .not a lot of value is  placed on precise piecing and stitching. . .or buying new fabrics and pattern books. . .Often, these everyday quilts aren't all that pretty in a traditional sense . . .Yet, once a person realizes that they are in a category of their own. . .and recognizes  characteristics in common. . .the Southern utility quilts take on a certain charm. . These are not the quilts of  affluence. . .They were first and foremost a necessity when the cold winds of Southern winters blew through the tenant houses that were built with poor construction and little insulation. . .Yet, looking beyond the need for warm covers, there is something appealing about these practical everyday quilts. . ...'Make the pieces fit' but in a pleasing manner. . .and use the technique called improvisation to do it. . . 
 
 africanamericanquilts.net
 Example of COTTON WORK PANTS QUILT from GEORGIA 1940s
 

 
 

As I began to research local Delta quilts in the light of those in other Southern states, I found that I had to remind myself to see these quilts in a much different perspective--to see them for what they are. . .to see the beauty of them as a connection to the life of sharecroppers and tenants. . .These quilts tell a story, if we will only look closer.
 
Finding quality examples of Southern utility quilts is not easy. . .simply because most were in use everyday and were not considered to be collectable. . .Over the years, most of the quilts have disappeared. . .The discovery of these three britches quilts was exciting. . .Even though they are in disrepair, they are good examples  of similar ones found on the plantations and farms in Georgia, Alabama, Mississippi and Louisiana. . .
 
Britches or britchy quilts are sometimes called work-clothes quilts. . .They are probably my favorite. . .but the hardest to find thus far. . .Although I don't know the specific stories behind them, I'm certain that the old shirts and denim have seen their share of picking cotton and farm work. . .They have been aged through many washings and much wear and tear. . .
 
'Tenant farmers in the South wore a muted palette of browns, grays, and blues. . .Old denim pants and overalls, field-worn and sun blocked, create a rich spectrum of dusty blues. . .wear-tears, stain, patches, mendings and faded seams provide further nuances. These characteristics are an integral part of the work-clothes aesthetic. . ." Architecture of the Quilt
 
It so happens that two of our vintage britches quilts are similar in construction. . .Of course, any quilt that utilizes denim or any other work pant qualifies. . .I chose these first quilts because they are constructed in the simplest of ways. . .It is the METHOD of piecing that is the key to understanding them. . .
  
 
 
 
The first two examples are sometimes called the 'Lazy Girl'. . .I'm sure you can see why. . .Strips of any good fabric from cast-off work clothes are sewn in vertical rows. . .every inch of that fabric is incorporated. . .including the removed pocket areas where there is less fading. . .The 'batting' in this particular quilt is old work shirts. . .worn and torn. . .laid flat . . .between the top and the backing. . .hand-in-hand with the characteristics of other Southern rural utility quilts: 
  • Strips in vertical rows
  • Every part of the clothing is utilized, including the underneath side of the removed pocket
  • Batting of old work shirts
  • Not enough denim to finish the quilt, so a patch of khaki is added
  • Backing from flour sacks
  • Binding folded over from the back and stitched
  • Use of large utility stitches to hold the three layers together
 




 
 
 
 
 
Here's another example of the 'Lazy Girl' style. . .pieced with the same method yet looking different due to the fabrics at hand. . .
  • Vertical strips
  • Covering another quilt underneath that was too worn to use, making this quilt thick and heavy
  • Backing from printed feed sacks in a random fashion
  • Tacked to hold the layers together
  • Bound by folding the backing to the front and stitching
 
 
 
 
 
 
 
 
 
 
 



 
Our third britches quilt is a type of medallion pattern at it's simplest form. . .The center is constructed first. . .usually dictated by the largest piece of salvaged fabric the maker has. . .Then strips are added around it until the desired size is achieved. . .fairly traditional. . .but without using a planned and precise pattern. . .It is another 'make-do' creation. . .
  • Use of work clothes
  • Flour sack backing
  • Very thin with only a little fabric as batting
  • Patching of holes in order to make larger pieces of fabric (Love the heart shapes)
  • No matching of fabric patterns in the strips
  • Binding by folding the front to the back and stitching
  • Utility quilting stitches in the Baptist fan style
  • Use of unconventional black thread for quilting, possibly the only color that was on-hand
 
 

 
This quilt would be very easy to copy the method of piecing. . .It would come together fairly quickly. . .I was so excited when I found this one that I could barely contain my enthusiasm while negotiating a price with the owner. . .He saw it as a 'rag'. . .so there wasn't a lot of convincing to do. . .'One man's trash is another wo-man's treasure'. . .(grin)
 
 

 
The britches quilts may look like rags to some. . .and of little value to others. . .but when you look below the surface, you begin to see their connection to farm history. . .Make-do. . .Creative. . .The Remnants of Hard work and Survival. . .Priceless to this Farmer's Daughter.
In future posts, I'll share more techniques of construction and reveal a few of the signs and symbols often incorporated into Delta quilts. . .I have many more to show you. . .We've only begun our journey.
 
 



 
 
 
REFERENCES:
 
GEES BEND: ARCHITECTURE OF THE QUILT, by Paul Arnett, William Arnett, Bernard Herman, Maggi Gordon, Diane Mott, Dilys Blum, Lauren Whitley, Amei Wallach, Joanne Cubbs, Tinwood Books, 2006                                                                       
 
 
AFRICAN AMERICAN QUILTS, http://www.africanamericanquilts.net/